Short Tagata Pasifika clip on Sāmoan artist Zipso.
Showing posts with label Music. Show all posts
Showing posts with label Music. Show all posts
Thursday, April 9, 2009
Thursday, February 26, 2009
Hawaiian Language Revitalization Benefit
Support the revitalization of the Hawaiian Language and Culture at the KULIA ROOTS FEST this SATURDAY, FEBRUARY 28 at ANDREWS AMPHITHEATER from 5:30-11:00PM.
The concert will feature various bands including INNA VISION from Maui, AIPOHAKU from Hawai'i, OOKLAH THE MOC from O'ahu and ROOTZ UNDERGROUND from Kingston, Jamaica in their very first appearance to Hawai'i!
$10 tickets may be purchased with a validated UH MANOA ID and $15 tickets are available for the GENERAL PUBLIC at the following locations:
UH Manoa Campus Center
Buti Groove
Ecosystems
Aikane Kai
Hungry Ear
Barefoot League
Tickets will also be available at the door.
Proceeds are to benefit KAWAIHUELANI CENTER FOR HAWAIIAN LANGUAGE.
*additional concert info may be found at http://www.myspace.com/kuliarootsfest.
The concert will feature various bands including INNA VISION from Maui, AIPOHAKU from Hawai'i, OOKLAH THE MOC from O'ahu and ROOTZ UNDERGROUND from Kingston, Jamaica in their very first appearance to Hawai'i!
$10 tickets may be purchased with a validated UH MANOA ID and $15 tickets are available for the GENERAL PUBLIC at the following locations:
UH Manoa Campus Center
Buti Groove
Ecosystems
Aikane Kai
Hungry Ear
Barefoot League
Tickets will also be available at the door.
Proceeds are to benefit KAWAIHUELANI CENTER FOR HAWAIIAN LANGUAGE.
*additional concert info may be found at http://www.myspace.com/kuliarootsfest.
Monday, February 23, 2009
Language as a Political Tool: Authenticity, Kuleana, and Hawaiian Language Revitalization

By looking at Hawaiian rap, we'll continue our discussion of language as a political tool in Hawai‘i. We'll bring together our experience with ‘ōlelo Hawai‘i and Pidgin to examine how issues of authenticity, kuleana, and the art of resistance interact. As we've discussed, issues of colonial oppression and solidarity with other colonized peoples, especially in North America, are common themes in this genre.
How are issues of language and identity dealt with in this art form?
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